Salem Remembered

I finished The Primitive Needle.'s Salem Remembered yesterday:

36ct PTP Heritage

SNC Cypress Umber, Sun Ripened Rubarb, Tuscan Olive

So you can see a bit of color, here's a close up of the top. I enjoyed working on this piece a lot.

When I got to the Parkers on the list I wondered if it's possible my husband's family might be related. I don't know and haven't asked them yet, but it was something to think about.

Is it wrong that when I got to John Proctor's name all I could think about was Daniel Day Lewis? But I didn't think about him as John Proctor in The Crucible, I was kind of thinking about him in his Last of the Mohicans persona. In a strange coincidence I was watching Age of Innocence around the time I was stitching John Proctor's name. I don't think the character Daniel Day Lewis portrayed in that movie would be a good tribute to the memory of John Proctor and isn't it strange that Winona Ryder was the conniving woman in both The Crucible and Age of Innocence and here I am stitching John Proctor's name but thinking about John Proctor as Long Rifle? How's that for a round of six degrees of separation?

More color here at the bottom. This is a fast stitch. I came down with a bit of the stitching blahs, lost the mojo but it had nothing to do with this design. It was all me or rather the three most ungrateful children on earth but I managed to finish Salem Remembered despite their efforts!

I am a stitcher hear me roar!

One of the reasons I fell in love with cross stitch so many years ago was the history of the needlework. I was awed that young girls stitched these samplers as school work. Boy would I have preferred sampler stitching to Algebra I. So to find a modern piece anchored in history, well I felt the love immediately.

Lisa has a few new designs being released or maybe they already are, if you aren't familiar with her designs go browse her catalog, place an order and feel the love! Her designs can be seen here:

The Primitive Needle.

Next up for me, Cape Cod Girls and Simply Live-Missy-do you want to start this sometime soon? Let me know and I'll SAL with you.

Making a Run for the Border

And no I'm not talking about Taco Bell. I had an idea for some pictures but my camera--well it's either done or the batteries are so you, dear reader are going to have to deal with poor Blackberry photos. Oh well, you don't come here for the superior photography anyway, or you definitely wouldn't be here. I've been working on Primitive Needle's Salem Remembered. It's a long narrow piece. There's something so comforting to see where the borders meet. That I stitched my way around the sampler and that I can count.
I didn't let out that squeal of joy until I saw my final stitch:

See that, the borders met up just fine(you can click to biggify as Annette's Acre would say). I was shocked. I realize that the theory behind cross stitch is a simple one. You have some fabric, a chart, a needle and thread and hopefully the ability to count, sometimes as a stitcher you hit that corner and see that you are a thread off, or you've miscounted a stitch too short, a stitch too many. The being a thread off is the killer though. The others are usually easily fixable that thread off thing--rip, rip, rip. No other way, although I'll be honest, I'll be forthcoming, I have one or two samplers where I just said to myself, "Make it work, because you are not ripping back 267 stitches. No one but you will notice."

I've got a few more stitches to put into Salem Remembered and then it's done. YAY! She will definitely be finished this evening and hopefully I'll figure out what's wrong with the camera and you will not have to suffer through more Blackberry photo shoots.

Timeless

The past few weeks I've been stitching away on the The Primitive Needle's Salem Remembered. I have friends that say, "what's up with you and the whole witch thing". Well what happened in Salem back in 1692 represents the worst in human nature, all of our deepest, darkest weaknesses.

As far as the witch thing, well I grew up with Bewitched and I Dream of Jeannie. I want to believe that there is magic in everyday life, whatever form it takes. It's more often than not the smile of a new baby, the first bloom of a flower. There is magic all around you and you just have to take a minute, open your eyes and see it. Sunrise, sunset, a miracle every single day.

I want you to look at the year at the top of this sampler. 1692.




Now check out these news stories:

Child Witches: Accused in the Name of Jesus - ABC News

BBC News Africa Child witches in the Congo

As a world we've come a long way haven't we? I was sick last week when I caught the story on ABC News. Here I am stitching away on Salem Remembered and half a world away, hundreds of years later, people's problems are being blamed on witchcraft and the people being blamed are too young to have a freakin' clue about what is going on. You know, life is hard, life is pain, bad things happen. Your grinder is going to break and it's not because your five year old is a witch.

Here is a link to information on the Salem Witchcraft Trials:

An account of the Salem witchcraft investigations, trials, and aftermath.

What is going on in Africa today is no different than what happened here a few hundred years ago.

Here's a link to National Geographic's Salem site:

National Geographic: Salem Witch-Hunt-- and here's a link to the kid's site:


The Salem Witch Trials -- National Geographic Kids

As much as we like to believe the world has come along way since the days of Way Back When, we haven't. It's much easier to blame your troubles on everyone else and toss in a good mix of greed from these so-called ministers and everyone loses except the ministers charging for their exorcism services.

So when someone tells you cross stitch is obsolete, out of date, has no relevance today, well Salem Remembered is more current than I ever imagined.

Odds & Ends

How's it going gang? I uploaded my pics all out of order and Blogger isn't letting me move them around but that's ok. I'll make it work. This weekend I ventured out in the world at large. My how things have changed. Gas has gone up like 40¢ a gallon, it's like waking up in another world, ok not that bad but still. Saturday I went out with my big blue boot on, it was hot and annoying so Sunday I shoved a sneaker on my foot and called it good. The spousal unit and I went for a drive out the beach road between Pensacola and my hick town and we saw this:


So much nicer than the TV or my neighbor's house across the road. You know you think when you're laid up it might get all exciting like Jimmy Stewart in Rear Window but it doesn't(at least I do because I have a pretty good imagination) but I know my neighbors and the one who might be nuts, well I can't see that house from mine.

My kids are right, we do live on the most boring street in the world, which we tell them, is why we moved here in the first place. So they could be wild and free and safe and also because the beach is like five minutes away and that's really why we moved here. The whole safety thing is just an added perk.

The picture above was taken at about 50 miles an hour flying by the beach. I love this stretch of road so much. It's Gulf Islands National Seashore I believe that's the official title, but there's no development accept for a few parking lots and one or two parks with picnic pavillions and bathrooms and I do not begrudge beachgoers parking or bathroom facilities. My heart sings that there are no condos or houses here. I'm a firm believer that the beach belongs to everyone and it's wrong for it to be privatized(is that a word) in any way.

In Topsy Turvy Gardening news up there you can see the beginnings of some Roma tomatoes. How cute are they? Can't wait for them redden right up and become tasty bruschetta or a tomato/basil/mozzarella sandwich.

We moved the Topsy Turveys to the back yard. We have a wooden swingset, this side used to be a single swing and it broke a few years ago. This area of the backyard gets lots of sun so we moved these bad boys back here. Yes, that's picket fencing laying there on the ground. My friend gave us their old fence and when the spousal unit was trying to dig postholes he kept running into pesky tree roots so we have to rent an auger to do the job. So right now the fencing is just laying in it's possible future home. The Brandwine tomato plant there on the right, I was watering it yesterday and noticed that the stem on one of the blossoms is broken. I don't know how it happened and wonder if maybe birds might have gotten at it or squirrels.

We are going to plant a Topsy Turvy zucchini plant and also a cucumber plant and I want to do a cantalope plant but the spousal unit has this bizzare plan of doing a Topsy Turvy corn plant. Yeah, he's a little bit crazy.

On the Craft Front:

One day last week I was assessing my WIP pile and what I still loved and what I no longer felt the love for and why and I pulled out my HAED Sampler Large. I had started it on a big ol' hunk of bland, vanilla, 25ct cream lugana. I have been checking different hand-dyed fabrics and decided that a new piece of fabric was just not in the budget. So I took a deep breath, pulled my unsweet tea out of the fridge, dumped out a little, took my morning's coffee and poured it in the tea pitcher and just crammed my ginormous cut of lugana, with a tiny bit of stitching on it in the pitcher. I let it soak for about two hours. Then I pulled it out, rinsed it off and decided that the tea/coffee bath was a vast improvement over the bland cream color but it needed a little something else, a finishing touch, so I hobbled over to the dye cabinet, ok it's a Fiesta Orange hutch in the kitchen and it's where I store my bottle or two of RIT dye but "Dye Cabinet" makes it sound like I have a clue what I'm doing. Anyway I pull out the handy dandy bottle of Tan RIT Dye and start splattering up my fabric and smooshing the fabric together. I let it sit out on a cookie sheet in the sink for an hour or so and then rinse it off, and move it to the patio table and let the afternoon sun bake it a bit. Below you can see a bit of my antiquing and I'm pretty stoked about the result. Sorry the picture isn't any better, I took one of the whole piece of fabric and it was blurred. I think my poor camera is on it's last leg.

As you can see I hadn't stitched too much and since I wasn't loving the fabric I was either going to dye it and love it or start over anyway. I'm pretty sure now I can keep on stitching and be happy with the piece. Unlike most HAED this piece has a lot of fabric showing and it was screaming for a handdyed fabric which I knew from the very beginning but I'm hardheaded and cheap and wanted to use what I had already in the stash. This is what the finished piece will look like:

Sampler Large [FENECH51007L] - $15.00 : Heaven and Earth Designs, The Art of C

A lot of my stitching friends ask why I like stitching HAED when I could just buy the artwork and stitch something else and well, I have to say, I have always enjoyed stitching art. I tend to want to stitch things I like to think I would have the imagination to paint if I were an artist. I also find stitching these huge pieces comforting. I am not pressured to finish them like some other projects. You know when you sit down with needle and thread and think to yourself, "I'll finish this during this stitching session" and then you don't? That is such a frustrating feeling, especially since my finishes are few and far between. The HAED projects take that pressure out of the stitching. I am just stitching for the sake of stitching, no urgency to finish, no possibility of finishing, just little Xs on fabric and hopefully with each stitching session the picture comes a little more to life.

My stitching time lately has been devoted to The Primitive Needle's Salem Remembered. I think I might just finish it this week. See there I go, setting a goal I might not be able to keep. I'm in the process of kitting up Cape Cod Girl's and ABC Hornbook and if you check Lisa's blog, Witch Stitches The Primitive Needle , you can see her Mystic Sampler which will also get bumped up to the top of my "To Be Stitched Immediately" pile. I have Ichabod Seabury to start when I finish Salem Remembered. He's stitched on PTP(http://www.picturethisplus.com/) Swamp linen. I love that color.

The fascination with tombstones, well I've always had one. When I was a kid, every Sunday before Mother's Day the whole family would make a trip to Woodville cemetery for Decoration. That's when you clean all the dead flowers and weeds off the graves so that it's all pretty for Mother's Day when people come to put fresh flowers out. We would spend all day there and people would bring folding tables, card tables and food and we'd picnic right there among the tombstones talking about those that had gone on to the great unknown and hear their stories and where they fit in the family tree. It was never a time of sadness for me, I only personally knew one person buried in that cemetary and he passed away when I was four or five, my great grandfather, Papa Sparks. I remember him vividly. My Mamaw and Great Aunt Lila would take care of him and I would run up to him and kiss his hand and Mamaw would make us tea cakes that we would eat hot from the oven with butter and cold glasses of milk. Yes, technically a tea cake was a sugar cookie, not quite as sweet but sweeter and more cookie like than a biscuit but big and softer than a true cookie. Papa liked his hot, dripping in butter and to this day I like them that way too. We would play and hide and seek among the tombstones, because this is one of those great old country cemetaries with real tombstones, above ground, not hidden away flush with the grass. I think about these weekends this time every year and how my mamaw was so worried that after she and her sisters were gone no one would go up there and tend her mother and father's graves. If I get home sometime this summer I plan to make a trip up there and make sure the graves are taken care of, I owe Mamaw that much.

The tombstone love, well I found it in novel form, thanks to a tip from my friend Siobhan. I've read two of Sarah Stewart Taylor's novels over the last week and enjoyed them both.

I've been trying to listen to Cormac McCarthy's The Road on CD and OMFG it's the most depressing book in the world. Of course I want to know if the Man and the Boy make it down the road to warmer temperatures but this post nuclear bomb world is a horrible place and I'm not finding much to love about it and the Man happens to be a man of few words and I keep worrying something really bad is going to happen to the Boy. I've stopped at the third CD and am not sure I can go on. I think I'm going to go with The Historian this week. I've read the book and enjoy the story, it remains one of my all time favorite books.

OK while doing our long drive this Sunday morning, I had to take a picture of the cheesy beach ball water tower on Pensacola Beach. I love Pensacola Beach. It is a constant reminder of happy family vacations, sunburns, seafood, staying in little beach cottages, called "motor inns" back in the day. I miss those. High rise Comfort Inns are just not as homey as those sweet cinderblock beach cottages, and yes, even back in the day they were dumps but I loved them and was broken hearted when they bulldozed them in the name of progress. Another thing I love about Pensacola Beach is the neon Swordfish sign that directs people to the beaches:

Pensacola Beach travel guide - Wikitravel

There was a time not too long ago when some uppity folks bought their million dollar homes on Penscacola Beach and wanted the swordfish gone, it was tacky they said. What they didn't understand was that locals have a very warm place in their hearts for that tacky swordfish. It represents Pensacola Beach, that it's not an uptight place to vacation, but a nice, comfortable, fun place to spend your time. I'm so glad the swordfish still stands and was repaired after the last hurricane. When I see that ginormous swordfish, my heart swells with love for this beach town. I remember driving across Three Mile bridge with my uncle's feet hanging out the back window while he slept and I slept across dashboard above the backseat and would occaisionally roll off on top of him. I remember almost drowning not once but twice in one day. Once in the Gulf when I was on a raft floating out to sea, my Mamaw swore I was a dot on the horizon, and my uncle who had just had an appendectomy had to swim out to save me, and then going down the slide in the pool in the deep end and not having a clue how to swim. I remember being sunburned and eating fried oysters in the coldest oyster bar in the world. Good times.

Forgot to mention for all you crocheters or those needing inspiration, I always need inspiration where my color choices are concerned, check out this blog:

Attic24

I'm already planning my football knitting and crocheting. Can't really cross stitch at the football field so I'm going to save my crochet projects for practices. I can't stop looking at her pictures. I want to make tons of things using her palette.

Ye've Plundered My Heart(with apologies to Sue Hillis)

On Sunday I started cutting out all the different red fabrics I've been gathering up for the past year or so, one fat 1/4 here, one fat 1/4 there and I ended up with a pile of 4 inch squares and some 4 1/2 or 5 inch strips. Not sure exactly what I'm going to do with the strips. I'm thinking maybe a pillow or two. Or if I don't have enough squares I can cut them up for more. Yes I'm aware that some of the reds clash, I was just buying the odd red fat 1/4 not really paying attention to the reds actually matching, if they don't work in this quilt I'll find another use for them, really. The fabric will not go to waste! Once my wrist feels a little better after the hours of rotary cutting I'll tackle my white fabrics. I have some skull and cross bone fabrics in red, black and gray and the intention was to sneak the odd block in on the quilt, hence the quilt name, "Ye've Plundered My Heart" totally ripped off from the Sue Hillis cross stitch design of the same name. I may still add one sneaky skull block just to add some quirkiness to the top but I'm thinking that the skull and cross bone fabrics might be good for the back of the quilt. I can pick up more between now and when I get to that point so I might just have a patchwork work back of assorted skulls. Yeah, I'm 12, OK.

In the cross stitch department I started The Primitive Needle's Salem Remembered:

And from the Island of UFOs I picked up Sonne Spotte. Sorry the picture isn't any better. Next time I'll just focus on the area of stitching I'm focused on.

That's it from here. Next time maybe a quilt top, or not!